I’m really excited to announce my new children’s book, M is for Mutt and Other Tails. It is an alphabet book, with each letter representing a different dog breed. (And some very fun text written by my friend, Ian Samuels.) I will be premiering the book at the Alternative Press Expo this weekend in San Francisco. I will be in the back corner, Table 651. Come on by and pick up a copy!

Here’s a sampling of some of the pages:

After APE I will try to put some copies up for sale online! 

One of the final BG's from Bambi.

Yesterday afternoon I was browsing Facebook updates (while I should have been working) and stumbled across Nancy Beiman’s update that Wong was going to be at the Disney Family Museum in San Francisco that day. “WHAT?!” I said to myself. You see, Wong is 100 years old, and likely the only surviving Bambi crew member. Honestly, I didn’t think he was even still alive. I was delighted to hear otherwise, and immediately looked up tickets – to an event that started in exactly one hour. I purchased my ticket and dashed out the door, across the Bay Bridge, through San Francisco, and was the last person to arrive at the event just as they were closing the doors to the auditorium.

Unfortunately, Wong was not actually speaking at the event, though he was in the front row of the audience with his daughter. He had come up from LA and spent the previous day wandering around Pixar. (I heard he was so impressed that he asked for a job.) I understand that he was not up for speaking in front of a crowd (I was amazed he was there at all) and we were extremely lucky to have Charles Solomon as a moderator and Paul Felix (Art Director of BOLT) and Ralph Eggleston (Art Director of Toy Story and Finding Nemo) as guests.

Lucky for you, I live-tweeted the entire event over on my Twitter. Here are the highlights, with some of Wong’s work interspersed.

Wong is HERE in the audience. He just stood up and waved. Lots of clapping. He looks very humbled and friendly.—
Bill Robinson (@flimflammery) June 11, 2011

It’s true – Wong got a standing ovation and looked very happy to be there. During the Q&A at the end, multiple people thanked him for his work on Bambi and the effect it had on them as children, as well as on their own children.

Solomon is discussing the differences between western and Chinese art. Chinese art tries to convey more of feeling than a representation.—
Bill Robinson (@flimflammery) June 11, 2011

Solomon also mentioned that in most Chinese painting, as in Bambi, human presence is insignificant. Nature really takes center stage.

Art by Tyrus Wong for Bambi

Wong helped Felix understand how to show or not show, or merely
suggest things in a painting. It was art school in a collection of thumbs.—
Bill Robinson (@flimflammery) June 11, 2011

Eggleston added that “what is left out is just as important as what is left in.” It’s not a lack of detail, it’s a suggestion. You should often ask yourself, “Where can I get away with less?” Wong organizes things tonally and in an abstract pattern very well. His skill lies in playing warms against cools and use of neutral colors.

Art by Tyrus Wong for Bambi

Wong creates a stage out of nature. It's an art that supports the story and the emotional content of the story.—
Bill Robinson (@flimflammery) June 11, 2011

Eggleston explained that a lot of the detail in the midground is lost – the are that would usually frame the characters. More detail can be found in the foreground and background elements and help directs your eye.

Art by Tyrus Wong for Bambi

Wong did thousands (!) of drawings and pastel studies for Bambi. Script would say "morning. Mist. Deer on the meadow." he would interpret.—
Bill Robinson (@flimflammery) June 11, 2011

These studies are pretty small – just a few inches square, but packed with beautiful composition, color, and energy.

Felix: his color is amazing. The temperature differences and where they show up…it's so satisfying and personal.—
Bill Robinson (@flimflammery) June 11, 2011

I thought Felix’s comment about personal color choice was great. Wong’s work is very obviously his own, but has gone on to inspire other generations of filmmakers. Eggleston showed a variety of clips from Finding Nemo where he tried to apply things he had learned from Bambi to the underwater world. The challenge is that the computer creates perfection, which must be fought every step of the way.

Art by Tyrus Wong for Bambi

Felix presented a few images from Bambi development art before Wong was involved. The style was much more like the classic storybook look of the day – what you would see in Pinnochio or Snow White. Wong went in a completely different direction. Soft, misty backgrounds that relied on tone and color shifts over line.  His artwork was mostly done in pastel, but the final backgrounds for the film were done in oil, a time consuming and difficult technique that was quickly abandoned on other films.

Felix talked about the effect that Bambi had on other Disney films, most notably in the art direction that Hans Bacher gave to Mulan. Look closely and you will see some incredible similarities, which makes sense for a story set in China.

Layout to Final BG, image courtesy of Hans Bacher

It turns out that Wong only worked for Disney for about 3.5 years, and that Bambi was the only animated film he spent much time on. He left for Warner Bros, where he spent his time doing preproduction art (in vastly different styles) for live action films. Wong was inducted into the Disney Legends program in 2001 for his work on Bambi.

The talk was terrific, and a once in a lifetime opportunity to be in the same room with that level of talent and history. On a side note, if you have never been to the Disney Family Museum in San Francisco, you really should try to make it. It’s a great place to learn about Disney history, as well as see events like this one. They have rotating art in some of their galleries, with a display of Wong’s work on Bambi currently up in one of them.

If you’d like read more about Tyrus Wong and Bambi, Frank and Ollie wrote a book about the making of the film. Also, Hans Bacher has multiple posts about the backgrounds and this terrific one on style.

Also, the museum has Mary Blair’s painting desk!!! (And a crazy hat?)

Mary Blair's painting cart thing!!

Did some quick animal gestures this morning using this great tool.

I am very excited to announce the release of my first children’s book! I was contact last year by Little Brown Books, who was working in association with Universal Pictures to develop a few different kids books for their upcoming movie HOP. I was happy to hear that they were interested in having me illustrate a 24 page,  full color, 8×8″ paperback for them. The story was a lot of fun to work with, and it was also a delight to illustrate characters designed by one of my favorites, Peter de Seve.

I’m not exactly sure where the book is available…I’ve heard it’s at Target and I know you can get it on Amazon here: Hop: Chicks Versus Bunnies

It even comes with punch-out easter egg stands! Fun for the whole family this Easter! Haha. I’m really not sure how much I can post of the inside of the book at this point, so for now here is an early sketch of the cover I did:

And the HOP trailer, for anyone interested: